Each song on the EP paints a vivid narrative, reflecting the turmoil and intensity of relationships. The juxtaposition of catchy, upbeat melodies with introspective and sometimes dark lyrics creates a compelling contrast that draws listeners in. Hotel Mira continues to push the boundaries of alt-pop, crafting songs that are both deeply personal and universally relatable.
Since the release of ‘Perfectionism’ in early 2020, Hotel Mira has steadily climbed the Canadian alt-rock radio charts. They've toured extensively across Canada, the US, Australia, and the UK, building a dedicated fanbase along the way. LA-based frontman and songwriter Charlie Kerr delivers performances that blend the raw energy of Iggy Pop with the flair of a go-go dancer and the boundary-pushing style of experimental theatre.
Kerr captivates audiences with his storytelling, weaving together masterful lyrics and hip-swaying melodies. Bassist Mike Noble, drummer Cole George, and guitarist Clark Grieve create a dynamic soundscape that immerses listeners in the melodrama and passion of each song. Hotel Mira’s music is also shaped by Kerr’s background as an actor and playwright, who sees acting, music, and writing as different forms of storytelling.
‘The View From The Barstool’ traverses a diverse array of genres, seamlessly blending indie and pop rock with a hint of electropop. The result is a melodic ambiance driven by a vibrant and repetitive chord progression, creating a bold, flamboyant sound. However, the track employs juxtaposition, pairing its lively and spirited energy with emotionally charged lyrics like: "Slit my throat and test the soul / Heaven knows I’m never bored / Fate is calling my name and it’s saying who are you?”. These lyrics hint confusion and distress during an inebriated state, showing influence from The 1975.
‘Oh Sunshine’ is inspired by classic rock, featuring a hard-hitting drum that emphasises the dynamic yet straightforward chord progression, complemented by a strong bass line subtly infused with bluesy rhythms. The track is rich in texture, with the raw energy of classic rock balanced by a wave of synths that introduce an indie pop nuisance.
‘Verona’ evokes a sense of nostalgia, capturing the theme of learning from the past and moving forward. The track is lively, driven by a powerful guitar that leads into an explosive surge of instrumentals complementing the reflective lyrics like "Remember when you conquered them / You both were young and it all made sense…”.
‘Waste Away’, the closing track of the EP, features Hotel Mira once again employing repetition, this time through a funky bassline accompanied by shimmer guitar chords and a dominant drumbeat paired with echoing vocals that progresses into chanting, resulting in a dreamy soundscape.
Hotel Mira blends and fuses genres and influences to craft dynamic instrumentals, highlighted by captivating guitar progressions and mesmerising synths that perfectly complement the powerful lyricism. Each track on ‘I Am Not Much Help’ stands out with its own unique edge and memorable moments.
Ana Joy King
Image: ‘I Am Not Much Help’ Official EP Cover
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