Their latest single, ‘The Good Life,’ thrives on contrast. It pairs the theme of creative and physical burnout with groovy rhythms and crisp harmonies, resulting in a dynamic and impactful track.
‘The Good Life’ begins with a deliberately monotone, subdued vibe. A flat bassline and steady drumbeat set the tone, while heavily saturated on Jack Hardwick's vocals evokes the weight of burnout. Lyrics like “I tried to sing a silent song, but someone called in sick again / They’re always…sick” capture the draining nature of office work, reflecting the struggle to carve out time for creativity in today's demanding environment.
Work In TV skilfully transforms this sombre mood into something energetic as the chorus bursts to life. The tempo picks up, with vibrant bass and guitar arrangements, more dynamic drumming, and the addition of synths crafting an irresistibly upbeat harmony and texture to the track. Yet, this lively sound contrasts sharply with the mundane lyrics, such as “John’s back is on the blink after 40 years working in the concrete,” adding a layer of irony to ‘The Good Life’, offering a critique of contemporary work-life culture.
In ‘The Good Life,’ the band masterfully blends thoughtful lyricism with dynamic, genre-bending soundscapes. The artists' ability to juxtapose themes of burnout and monotony with vibrant, upbeat arrangements not only highlights their musical versatility but also underscores their knack for storytelling. With sharp commentary on modern work-life culture wrapped in infectious rhythms and harmonies, Work In TV continues to push the boundaries of indie-pop, delivering a track that is as thought-provoking as it is undeniably catchy.
Ana Joy King
Image: ‘Dark Passenger’ Official EP Cover
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