music is to blame.
Review
Cardinals Tease Debut Album with Romantic Single ‘I Like You’
News
Art As A Lifeline: War Child Records Announce Upcoming Charity Album, 'HELP (2)'
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Dead Air Fight Back Against The System With ‘Do It For The Pay’
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Louis Tomlinson Returns To Pop With ‘How Did I Get Here?’
Review
Lime Garden Vocalise Being In Their Twenties With ‘23’
News
Deep Roots, Shallow Support: Britain’s Grassroots Music Crisis
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Courtney Barnett Releases ‘Site Unseen’ ft. Waxahatchee
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Balancing Act Shine Light On New Single
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No Need For Nostalgia: Cat Power Is Refined And Revived With ‘Redux’
Feature
Voodoo Child (Slight Allegation): Sony Faces Landmark Ruling in Jimi Hendrix Court Case
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Miso Extra's 'Right Here' Serves As A Way To Remember Now Is Now
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Snail Mail's 'Dead End' Leads Her Into A New Era
Feature
Introducing Endshow: Behind the Scenes with the London Alt-Rockers Who Embrace the Pomp of the Gutter
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Bright Message Behind Dermot Kennedy’s ‘Funeral’
Feature
Capturing The Cure: The Isle of Wight Festival Celebrate their Headliners with London Exhibition
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Harry Styles Returns With 'Aperture'
Interview
Only The Poets: “We’ve Been Through It All, And We’d Do It Again”
News
BRIT’s Fringe: The BRIT Awards Music Industry Curtain-Raiser
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Charli xcx’s ‘Wall of Sound’ And The Cost Of Suppressing Desire
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Madison Beer Finds Strength In Quiet Confidence With ‘locket’
Review
Was Rocky's 'Don’t Be Dumb' Worth The Eight-Year Long Wait?
Review
Arlo Parks Wows Fans With '2SIDED'
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Gorillaz Release 'Orange County' Featuring Bizarrap, Kara Jackson & Anoushka Shankar
Review